Projects





Keytars Are Still Lame

I love Peter Kirn's blog, but today he posted some crazy shit and I have to call him out on it.

In a story titled Keytar Komeback: You Don’t Love It Until It’s Gone, An Open Letter to Roland, Peter tries to convince Roland that the keytar has become cool again. Primarily citing the rising price of keytars on ebay, he argues that there is new demand for the defunct instrument.

I'm sorry, but this is just not true. I'm sure there is a niche retro community out there who likes unique hardware, and is embracing the keytar much like they embrace the melodica. Still, both the melodica AND the keytar suffer from the same basic problems that make them permanently uncool (although not necessarily un-fun).

The design principal behind the keytar is to combine the versatility of a keyboard with the look of a guitar, in the hopes of getting the best of both instruments. Sadly, what you end up with the exactly the opposite. You get neither the coolness of the guitar, nor the versatility of the keyboard.

First, with keytars, you are limited to playing with one hand. This limits the keyboardist to either solos, or rhythm parts. Right there, you lose a ton of the expressivity of a traditional keyboard, which can go from playing a single melodic line to emulating a full orchestra in the blink of an eye.

Secondly, even with the one hand that a keytarist can use, they can't play as well with it as they could on a traditional keyboard. I can attest to this personally, but this is also a function of the fact that every keyboard player learns to play on a traditional keyboard. As such, they have far more practice with a traditional setup than they do with the awkward, half-standing position that they have to assume in order to play a keytar.

In short, a keytar performance can almost never be as expressive, or technically brilliant as a performance on a traditional keyboard. So, the only possible reason to use a keytar is for the look. To rebut the argument that keytars look cool, I will simply present two pictures.

Ray Charles at the Piano

Keytars ARE LAME!!!

As you can see, there is no good reason to play, or purchase a keytar, outside of nostalgia or curiosity. Promoting keytars is dangerous and irresponsible. It not only hurts keyboard players, but also their families and friends. Further, I suggest that we create a 'keytar watch list' to keep track of the dangerous, unbalanced individuals who like them. Name #1: Peter Kirn.

;)

UPDATE:

CDM Posted a subtle update to the original article, with pics of a keytar flamethrower. Yes, you read that correctly.


February 14, 2008
shane king at 2008-02-14 20:14:49Add me to the list ;-)
Can I be the second person on the list? I love my Casio AZ-1 (which is what is that picture). You make an excellent argument as to why *you* shouldn't use a strap-on keyboard, but that is it. I'm not trying to be a guitar player and I don't mind playing with one hand, I do that most of the time anyway. I'm not trying to be (and am certainly not) the best keyboard player in the world. I play the synthesizer, not the piano, not the organ and definitely not a guitar. And I find the instrument very expressive in the same way that I find a mono-synth to be the most expressive instrument out there. And you only play that with one hand as well. But you probably play keyboards sitting down, and unless you are a drummer nobody can play with real emotion whilst seated... And drummers aren't even musicians ;-) shaneking.com
evan at 2008-02-15 07:19:38

#2: Shane King

Heh.

You have a point, Shane. I am really only half-serious in my article, and it does apply to pianists like myself, more than some other people.

This statement, however, is totally untrue: "nobody can play with real emotion whilst seated." I certainly hope you were being facetious!

;)


Keith Handy at 2008-02-15 09:18:36
I still say a "Haken Continuum-tar" would be cool, though. (I posted that as a comment on CDM but didn't get any reactions, so I'll recycle it here.) I love the idea of unusual instruments, but designers should start by asking, "what do I physically want to be doing to control the sound?" -- I doubt "playing a keyboard I can't see clearly, with only five of my ten fingers, at an awkward angle" would be the answer to that.
evan at 2008-02-15 09:21:59Haken-Tar

Keith: "designers should start by asking, 'what do I physically want to be doing to control the sound?'"

I totally agree with that.


shane king at 2008-02-15 21:06:37Half Facetious
I was being both serious and facetious at the same time. Serious in my point that I don't care about clustered chords and figured bass and all that 'real musician' stuff. Half serious about the sitting down thing. Totally serious about drummers not being musicians. I think that we all can agree on that... :-)
royal rumpus at 2008-03-06 06:43:16Evolution.... the Zen Riffer
u guys are right but only 2 a point.... the keytar has evolved and there's no doubting that if in the right hands it can be truely awsome. Check out Jordon Rudess on you tube playing the Zen Riffer and kiss his ass!!!!!http://www.zenriffer.com/
Speak
Handle:
Title:
Comment:
Enter this text:
HTML formatting is permitted. Tags accepted include <p>, <a>, <b>, <i>. This list may be expanded in the future.
username: password: